This course provides students with a rigorous introduction to selected musical traditions from various parts of the globe. Through the use of a comparative analytical framework, which includes perspectives from ethnomusicology, the cognitive sciences, and psychoacoustics, students will learn to critically analyze and appreciate the selected musical traditions. These traditions will be approached from within their own cultural contexts and viewed as a social process. Students will develop an understanding of what music is, what it means to its practitioners and audiences, and the means by which musical meaning is transmitted. Emphasis is placed on recognition and analysis of the salient musical characteristics of each tradition, the artists who made major contributions to those traditions, and the particular musical instruments that are iconic to each.
Courses like this are part of the curriculums baccalaureate music degrees across the country. The National Association of Schools of Music requires college music programs to demonstrate how the outcomes addressed in this course are achieved.
Students will examine non-Western musical cultures through the lens of the role music has played in evolutionary biology. Various musical cultures will be selected from Asia, Oceana, Africa, South America and the Caribbean, Europe, and the Middle East. The breadth of possible materials and approaches will allow instructors to curate curriculum from a wide variety of perspectives. Students will examine both commonalities and differences between non-Western musical cultures are the Western tradition. This course offers great possibilities for incorporating student perspectives from various backgrounds who may have experiential knowledge of the styles being examined.